This book considers traditional assumptions about the nature of social relationships in Greek households during the Classical and Hellenistic periods, which draws on archaeological evidence from individual houses rather than textual sources. The focus of the study is the domestic organization of households, particularly the relationships between men and women within the households, between household members and outsiders, and with the wider social structures of the polis or city state, and how these changed with time.
An irresistible look within the mind and behind the hit TV drama, House While House is a smart medical drama and Gregory House faces countless ethical quandaries as a doctor, what makes the show unique is that it's much more deeply rooted in psychology than in medicine. At its core, House is a show about the mind and human behavior. Gregory House is a medical genius and a Sherlock Holmesian figure, but he's also a deeply troubled misanthrope. What's going on inside the brain of this beloved, arrogant, cane-waving curmudgeon that is so appealing? House and Psychology tackles this question and explores the latest findings in brain science research, defines addiction in its many forms, and diag...
A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artifact and the artifacts it housed were affected in turn. The construction and ornament of houses ceased t...
A radical thinker, one of the rare modern heretics, said Mary McCarthy of Ivy Compton-Burnett, in whose austere, savage, and bitingly funny novels anything can happen and no one will ever escape. The long, endlessly surprising conversational duels at the center of Compton-Burnett's works are confrontations between the unspoken and the unspeakable, and in them the dynamics of power and desire are dramatized as nowhere else. New York Review Books is reissuing two of the finest novels of this singular modern genius—works that look forward to the blacky comic inventions of Muriel Spark as much as they do back to the drawing rooms of Jane Austen. A House and Its Head is Ivy Compton-Burnett's subversive look at the politics of family life, and perhaps the most unsparing of her novels. No sooner has Duncan Edgeworth's wife died than he takes a new, much younger bride whose willful ways provoke a series of transgressions that begins with adultery and ends, much to everyone's relief, in murder.
Drawing on interviews with United States senators who previously served in the House of Representatives as well as journalists and staff members, this volume provides a portrait of the two American Houses of Congress.
The authors of this volume focus on such issues as property use and ownership, efforts to recognize women's economic rights through development programming, poverty and women-headed households, and household bargaining. The impact of various development policies is also surveyed.
In Conjugal Union, Robert F. Reid-Pharr argues that during the antebellum period a community of free black northeastern intellectuals sought to establish the stability of a Black American subjectivity by figuring the black body as the necessary antecedent to any intelligible Black American public presence. Reid-Pharr goes on to argue that the fact of the black body's constant and often spectacular display demonstrates an incredible uncertainty as to that body's status. Thus antebellum black intellectuals were always anxious about how a stable relationship between the black community might be maintained. Paying particular attention to Black American novels written before the Civil War, the author shows how the household was utilized by these writers to normalize this relationship of body to community such that a person could enter a household as a white and leave it as a black.