After recounting her experience as a Jewish girl living in Amsterdam during the Holocaust, Esther, helped by her grandson, embarks on a search to discover what happened to her parents before they died in a concentration camp.
Esther es una mujer judía que al cabo de muchos años visita la granja holandesa donde tuvo que esconderse durante la Segunda Guerra Mundial cuando solo era una niña. Allí sufrió una experiencia espantosa. Sus padres murieron en los campos de concentración de Auschwitz y siempre se ha preguntado como debieron ser sus últimos días. Daniel, su nieto adolescente, le ayuda a reconstruir la historia. Consigue encontrar un viejo amigo, Bob, la última persona que vio a su padre con vida. El relato de Bob la sacudirá profundamente y revelará un pasado demasiado amargo para poderlo olvidar.Consulta el material didáctico.
L'Esther és una dona jueva que, després de molts anys, visita la granja holandesa on es va haver d'amagar durant la Segona Guerra Mundial quan només era una nena. Allà va patir una experiència espantosa. Els seus pares van morir als camps de concentració d'Auschwitz i sempre s'ha preguntat com debien ser els seus últims dies. En Daniel, el seu nét adolescent, l'ajuda a reconstruir la història. Aconsegueix trobar un vell amic de l'època, en Bob, la darrera persona que va veure el seu pare amb vida. El relat d'en Bob l'afectarà profundament i revelarà un passat massa amarg per poder-lo oblidar.Consulta el material didàctic.
A lucid deconstruction of the politics and public figures shaping the social, financial, and military disasters of our times. This selection of Michael Kinsley's trenchant editorial writing in Slate (and elsewhere) since 1995 covers the end of the Clinton era (Monica, impeachment, etc.) and two terms of George W. Bush (9/11, the War on Terror, Iraq, etc.).During this time Kinsley left Washington for Seattle and founded Slate, was opinion editor of the Los Angeles Times, underwent brain surgery for Parkinson's disease, and had other adventures that are reflected here. Although mostly about politics, there are articles and essays about other things, such as the future of newspapers, the existence of God, and why power women love Law and Order.This is the work of a writer at the top of his form. Kinsley's wit is a weapon that any talk-show host or elected blowhard should envy and fear, and the reader will cherish his sense of humor, which enlivens even the toughest subject matter.
As the creator of Tintin, Hergé (1907–1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the “clear line” in cartooning, this edited volume shows how his life and art turned out much more complicated than his method. The book opens with Hergé’s aesthetic techniques, including analyses of his efforts to comprehend and represent absence and the rhythm of mundaneness between panels of ac...
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. • Provides historical context within individual entries that allows readers to grasp the significance of that entry as it relates to the broader history and evolution of comics • Includes coverage of international material to frame the subsets of American and British comics within a global context • Presents information that will appeal and be of use to general readers of comics and supply coverage detailed enough to be of significant value to scholars and teachers working in the field of comics
From a brilliant and witty comic book aficionado, this “scholarly but lively narrative” (Kirkus Reviews) reveals the links between Jews and the iconic superheroes of Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby. Many of us know that the superheroes at the heart of the American comic book industry were created by Jews. But you’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. With great wit and compelling arguments, Harry Brod situates superheroes within the course of Jewish-American history: they are a...
This volume explores post-2000s artistic engagements with Holocaust memory arguing that imagination plays an increasingly important role in keeping the memory of the Holocaust vivid for contemporary and future audiences.