In this major work on landscape photography, extensively illustrated in color and black and white, Liz Wells is concerned with the ways in which photographers engage with issues about land, its representation and idealization. She demonstrates how the visual interpretation of land as landscape reflects and reinforces contemporary political, social, and environmental attitudes. She also asks what is at stake in landscape photography now through placing critical appraisal of key examples of work by photographers working in, for example, the USA, in Europe, Scandinavia and Baltic areas, within broader art historical and political concerns. This illuminating book will interest readers in photography and media, geography, art history, and travel, as well as those concerned with environmental issues.
Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses, this fully revised edition provides a coherent introduction to the nature of photographic seeing. Individual chapters cover: Key debates in photographic theory and history Documentary photography and photojournalism Personal and popular photography Photography and the human body Photography and commodity culture Photography as art This revised and updated fifth edi...
The Photography Reader is a comprehensive introduction to theories of photography; its production; and its uses and effects. Including articles by photographers from Edward Weston to Jo Spence, as well as key thinkers like Roland Barthes, Victor Burgin and Susan Sontag, the essays trace the development of ideas about photography. Each themed section features an editor's introduction setting ideas and debates in their historical and theoretical context. Sections include: Reflections on Photography; Photographic Seeing; Coding and Rhetoric; Photography and the Postmodern; Photo-digital; Documentary and Photojournalism; The Photographic Gaze; Image and Identity; Institutions and Contexts.
Formerly a British colony, the island of Cyprus is now a divided country, where histories of political and cultural conflicts, as well as competing identities, are still contested. Cyprus provides the ideal case study for this innovative exploration, extensively illustrated, of how the practice of photography in relation to its political, cultural and economic contexts both contributes and responds to the formation of identity. Contributors from Cyprus, Greece, the UK and the USA, representing diverse disciplines, draw from photography theory, art history, anthropology and sociology to explore how the island and its people have been represented photographically. They reveal how the different...
Jorma Puranen (born 1951) is one of Finland's best-known photographers. For his latest series, Icy Prospects, inspired by the fascination of great explorers (and today's tourists) with the Arctic landscape, Puranen painted a wooden board with black, high-gloss acrylic and then took long exposures of the landscapes mirrored in its surface. The results are extremely painterly impressions of nature, in which ground, brushstroke and reflection intermingle.
Throughout the history of photography the genre of landscape has been dominated by male perspectives. Shifting Horizons makes us rethink our perceptions of the inner and outer landscapes we experience. Ten women photographers reinterpret the notion of “landscape." Using techniques ranging from historical non-silver processes to new digital imaging technologies, they are concerned with borders: between land and sea, day and night, inside and outside, public and private, absence and presence, space and enclosure, image and words; past, present and future.
This book is a collection of six papers from the 2004 Land/Water and Surface symposium. These works contribute both to contemporary academic debates within artist and curatorial practices, and to understanding within related areas of experience and knowledge. Central themes include: sustainability; representation of change, journey, place and visual practice; West Country and regional specificity. There is particular focus on coast as a littoral space, and interest in exploring relations between site-theme-art process-narrative. The collection also includes material about the Land/Water Research group, the programme for the 2005 symposium and speaker biographies illustrations, and a poem by Thomas A Clark written especially for the occasion.
The Handbook of Visual Analysis is a rich methodological resource for students, academics, researchers and professionals interested in investigating the visual representation of socially significant issues. The Handbook: Offers a wide-range of methods for visual analysis: content analysis, historical analysis, structuralist analysis, iconography, psychoanalysis, social semiotic analysis, film analysis and ethnomethodology Shows how each method can be applied for the purposes of specific research projects Exemplifies each approach through detailed analyses of a variety of data, including, newspaper images, family photos, drawings, art works and cartoons Includes examples from the authors' own research and professional practice The Handbook of Visual Analysis, which demonstrates the importance of visual data within the social sciences offers an essential guide to those working in a range of disciplines including: media and communication studies, sociology, anthropology, education, psychoanalysis, and health studies.